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Creative Screenwriting exists to help you compete in this tough but lucrative business.
Do you know which genres are hot? Which ones are warming up? Which agencies and managers are accepting
new clients? What scripts individual producers are looking for, and how you can submit to them? Creative
Screenwriting answers these questions for you in every issue, keeping you up to date with what's going
on — who's buying, and what types of scripts are selling.
Exclusive
interviews give you the inside story from Hollywood's top
writers. Creative Screenwriting puts you into the room with Michael
Goldenberg (Harry Potter and the Order of the Phoenix), takes you to
New York to talk with William Goldman (Adventures in the Screen Trade)
about working in Hollywood from afar, and gets inside the mind of
Quentin Tarantino on Grindhouse — interviews you won't find
anywhere else. Recent issues have carried interviews with Tim
Kring (Crossing Jordan), Brad Bird on Ratatouille, Judd Apatow
(40-Year-Old Virgin and his new Knocked Up).
Each issue includes inside advice, including:
Agent’s Hot Sheet: interviews with a panel of screenwriters’ agents on the current market;
Our Craft: an in-depth focus on the details of how to write, from writer-teacher Karl Iglesias;
Legal Column: what you really need to protect yourself from, and how — and what you should worry about less than some writers do.
The time is right — the price
is even better. Creative Screenwriting is a small investment in your
career that could pay huge dividends.
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With your Creative Screenwriting Magazine subscription, you'll also receive access to
download the 42-page Screenwriters Manual
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Click
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and mail to:
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The Screenwriters Manual, which is yours free if you subscribe now online, includes these reports: ● Know Your Show, Part 1: which shows to spec
● Know Your Show, Part 2: how to write that spec script.
● Booksmart: A Novice's Guide To Acquiring Literary Material
● From Writer To Hypehenate, Part 1: an overview of filmmaking course for writers
● From Writer to Hyphenate, Part 2: skills including camera, lighting, working with actors.
● Six "Our Craft" columns from Karl Iglesias
● Pilot Lessons: Writing an Original TV Script.
● Chemistry Lab: Writing The Romantic Comedy
● Romantic Comedy Marketplace. What's working and what's not in rom-com today.
● Breaking In As A Writer By Starting As An Assistant
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| To buy any of the 60 DVDs in our Screenwriting School In A Box, click HERE |
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